by Josh Garrett-Davis
A new book bears witness to Baptist sexual abuse.
by Scott Korb
Jesus as cockblock in Matt Marks’ post-Christian nihilist pop-opera.
by Sabrina Jaszi
Big hats, good money, ecstatic pills.
by Patton Dodd
Leonard Cohen’s song, baptized by American Idol.
by Brook Wilensky-Lanford
Krista Tippett and her interlocutors take on the “Big Questions.”
by Ananya Vajpeyi
The presence—or absence—of the gods can make a Hindu out of even the most secular.
by Garrett Baer
Asterios Polyp and the fate of life lived through modernism.
by Tibor Krausz
Why Karen Armstrong’s Case for God isn’t one.
by Graham Hillard
Why television’s Lost should resist the urge to tell all.
by Alexander Zaitchik
Mitch Horowitz unleashes America’s occult past.
by Gordon Haber
Why is it so hard to face up to one’s astrological nature?
by David Dark
John Darnielle of the Mountain Goats helps bring the Age of Irony to a close.
by David Griffith
The sounds of the soul stretch from 16th-century Spain to David Lynch’s LA.
by Sarah Posner
Bet you can’t guess what Pastor Timothy Keller thinks Manhattan needs more of.
by Alexander Zaitchik
Suffering through 2012, Roland Emmerich’s take on a Mayan prophecy.
by Jessica Weisberg
Talking down to prophecy nuts is a delicate art.
by Becky Garrison
Lars von Trier’s Antichrist takes this reviewer through her soul’s own dark nights.
by Mary Gordon
The running father, the starving son, the fatted calf, the husks, and the unbearable question.
