by Tibor Krausz
Why Karen Armstrong’s Case for God isn’t one.
by Graham Hillard
Why television’s Lost should resist the urge to tell all.
by Alexander Zaitchik
Mitch Horowitz unleashes America’s occult past.
by Gordon Haber
Why is it so hard to face up to one’s astrological nature?
by David Dark
John Darnielle of the Mountain Goats helps bring the Age of Irony to a close.
by David Griffith
The sounds of the soul stretch from 16th-century Spain to David Lynch’s LA.
by Sarah Posner
Bet you can’t guess what Pastor Timothy Keller thinks Manhattan needs more of.
by Alexander Zaitchik
Suffering through 2012, Roland Emmerich’s take on a Mayan prophecy.
by Jessica Weisberg
Talking down to prophecy nuts is a delicate art.
by Becky Garrison
Lars von Trier’s Antichrist takes this reviewer through her soul’s own dark nights.
by Mary Gordon
The running father, the starving son, the fatted calf, the husks, and the unbearable question.
by Karen Maezen Miller
Travels in China, on the trail of American Buddhism.
by Alex Rose
Oscar Bettison’s O Death: A Requiem Masque for Six Players as out-of-body experience.
by James Chappel
A new book probes the modern meaning of ancient heresy.
by Paul W. Morris
Keep on truckin’ in the Garden of Eden.
by Samuel Biagetti
Why the new Dan Brown book is a love letter to the Freemasons.
by Brook Wilensky-Lanford
High hopes for the first woman’s Times Square debut.
by Gordon Haber
Testing the limits of tolerance on a psychic’s new book.
